Monday, November 28, 2011

Roseanna Lynn Welter quilt from TCQC 11-27-11

This quilt was part of "My World in Black & White", the first exhibit sponsored by the Fiberarts Connection of Southern California.  It was quite a good unjuried exhibit that showed in half a dozen venues around SCalifornia.  I added a few of the quilts to the Collection, but not this one.  However, it kept "haunting" me and some months later I contacted the maker to purchase it. 
It is a monoprint done with dye dipped string, a technique that was taught in children's art classes years ago (and maybe even today), but one that I was not familiar with.  The artist has enhanced the loops and arcs of the monoprint with black machine stitching that gives the appearance of sea fans or coral.  Or perhaps the debris on a storm ravaged beach.   The end pieces look amazingly like surf on sand.  I thought the scribbly quilting was odd at the time, but in the years since it has become some quilters' signature quilting style. 
"After the Storm"  Roseanna Lynn Welter  2001  33"W x 45"L
Monoprinting.  Machine piecing and quilting.  Cotton fabric and thread.
 http://artquilts.home.comcast.net/~artquilts/

Following and filling in the loops and arcs of the monoprinting.

Surf on sand with scribble quilting.

The artist intended this to be a horizontal quilt, but I much prefer it as a vertical, so I added a muslin sleeve to one end.   Which prevents me from hanging the quilt face-to-the-wall and enjoying the mystical image on the back.

 
You can see that Rosanna Lynn was undecided about a title and added "After the Storm" to the label - it was that name that was used on the entry for the "My World in Black & White" exhibit.
Posted by Picasa

4 comments:

Bev said...

there is something about the simplicity of black and white and makes an amazing visual impact

thanks for sharing this treasure

June said...

Along with all the other things, part of the impact of this piece is that it extends beyond the "frame", both literally (the image apparently goes out where we can't see it) and because of the irregular white space at the edges. It makes us feel like the elements we see are only part of what is there -- they go on horizontally, vertically, and, if we look long enough, they might even wrap around behind us.

I'm glad you went back!

Anonymous said...

Beautiful, intriguing piece! Thanks for sharing it, Del. The back is just as strong as the front, too. You could always switch the sleeve.

Linda Laird

Unknown said...

I love this piece, Del, and can quite understand why it haunted you....I also like the back side of it.

What a gorgeous piece, the texture, the movement, the balance...just wow!

Thanks for sharing.