Showing posts with label Fiberlandia. Show all posts
Showing posts with label Fiberlandia. Show all posts

Sunday, August 9, 2015

Last of the Fiberlandia auction quilts 08-09-15

This is the last of the twelve quilts I purchased at the Fiberlandia auction at the SAQA conference in Portland in May of this year.  I had a great time running around the banquet room bidding on the quilts; I was really tired afterward!   And I have enjoyed learning more about each quilt by corresponding with the artists via e-mail.  The quilts are little jewels that I will cherish for themselves and as memories of the great Portland SAQA conference.
 
"At the Market"  Terry Grant - Beaverton,  OR 6"W x 8"L
Linen and commercial cottons.  Machine stitched and quilted.
 
 
Terry has stitched all of this from the back.  She explains her technique:
"Stitched from the back using a sketch on lightweight interfacing as a guide. The added fabrics are also sewn from the back.  I cut the piece larger than the needed size, then placed it by holding it up to the light.  After I stitch it in place, I carefully trim it on the front with very sharp little scissors."
The image is from a photo she took at the market in Cuenca, Ecuador. 
 
The back is covered with a thin muslin and she has added a minimal label.  The edge is stitched with a straight stitch before being trimmed to size.
#   #   #


Monday, July 27, 2015

Fiberlandia auction quilt by Daniela Dancelli 07-27-15

07-30-15  Daniela sent an explanation of her quilt and I have added it to the bottom of this blog post. Del
 
I didn't receive an answer from Daniela when I asked about her quilt.  Put I did have the info on her blog translated into English, so that is where the details are from.  I don't know if these are eggs in a nest, or just an abstract design, but  I like it.  This is the first quilt from Italy that I have added to the Collection.
 
"All'improvviso" Daniela Dancelli - Italy 2015  6"W x 8"L
Cotton hand-dyed by the artist, carded wool, fleece, acrylic.
Machine applique, free motion machine quilting.
 
 The FMQ reminds me of what I once read was "Herky-Jerky" quilting and it is done with zig-zag or ornamental stitches on the sewing machine with the feed dogs down. 
 
A plain back with good information on the label.
 
 
Daniela says:
"'All’IMPROVVISO' I realized straight off following the creative instinct of the moment. I then chose the materials and colors and I improvised.
 
I decided to focus the viewer's eye at the center of the quilt intriguing him with nine oval.
 
 It says: "Cats have nine lives", according to this theory, I wondered why we, human beings, we can not reinvent life as we want even more times, to stay healthy and point to happiness.
 
So the nine (nine oval) is only a symbol to invite us to live fully the emotions and all that life has to offer! In short “CARPE DIEM!”.
 
Nine is recurring in my life I was born on September 29 (the ninth month of the year).
 
Fabrics are dyed by hand, I used cotton of various weights, yellow and orange are not yet carded wool felted; This work gives lightness and highlights the center with nine oval.
The intense colors reflect my vivacity, my joy and my good mood
 
Here the term "Herky Jerky" is not used; But I like the definition that you gave. I simply call it free-motion brave and instinctual, created to give the work the message expressive movement created to work and intensify the expressive message."
 
#   #   # 

Sunday, July 19, 2015

Fiberlandia auction quilt by Deb Cashatt 07-19-15

I was immediately attracted to this piece by the well coordinated "hardware" and fabrics.
Deb designed the circuit board fabric.  She says, the fabric is "..based on the gajillion pc boards that I have photographed.  I found some sections that I liked; then in Photoshop, I copied/pasted/clone-stamped, rotated, filtered and blended layers together until I had a pattern that will find its way into a shirt for my husband when I find a few extra hours."   
 
"What's Next?" Deb Cashatt  2015  6"W x 8"L
Artist created fabric, commercial fabric, part of a CD player, button, gold paint.
The tag on the right is a label which, of course, didn't show when the quilt was in the matting.  I will take it off and sew it on the back when I do a heavier binding and a better label. 
 
Deb says she loves to take things apart and has a nice selection of pieces to use in her designs.  These are the buttons one pushes to play a CD player.
 
No label on this side, but, as I said before, the artists probably expected their little quilts would stay in the matting frames.  I'd advise everyone to put some identifying info on whatever they make.  Who knows where it might end up?    Great quilting on this, I wonder how she keeps such even spirals?
#   #   #

Sunday, July 12, 2015

Martha Wolfe quilt from Fiberlandia auction 07-12-15

Sorry I have missed a few days.  I had to have an emergency root canal and things didn't go so well.  I am better now and hope to stop the pain meds at the same time I stop the antibiotics.

Martha  Wolfe does wonderful bird quilts, including this one with the New Zealand bird, Pukeko. Martha was in NZ early this year for a Quilt Symposium and enjoyed some sightseeing. She says that the wildlife was elusive, but the pukeko could sometimes be spotted scavenging in the fields.  This bird is in the same family as our coot (sometimes called mud hen) and the purple gallinule found in Florida. 

"New Zealand: Pukeko"  Martha Wolfe - Davis, CA 2015  8"W x 6"L
Hand painted and printed fabric made on a visit to New Zealand, strip-pieced  cottons, painted organza and hand-dyed silk charmeuse. 
Fused, raw-edge applique, machine and hand-stitched.  

Great feet! 

Colorful label with all the pertinent information.
#   #   #

Sunday, July 5, 2015

A birdy from SAQA Fiberlandia auction 07-05-15

Kristen holds a Master's degree in Avian Sciences and has worked as a Bird Banding Biologist.  She is particularly fond of corvids and has done quilts depicting crows and ravens.  This little black bird came about organically and was decorated by drawing free hand on the appliqued bird and then embroidering over the lines.  She has a little bird quilt in the SAQA online auction this fall. http://kristinshieldsart.com/bio/
 
"Fanciful Blackbird"  Kristin Shields - Bend, OR 2015 8"W x 6"L
Machine pieced, hand appliqued and embroidered, hand and machine quilted.

I love the background fabrics and the embroidered eye!

Kind of an "egg-y" fabric on the back, but no label.  Of course, the artists weren't told to put on a label and probably expected the little quilts would stay in the matting frame.  Each one has a label on the back of the mat.
#   #   #
 
 

Sunday, June 28, 2015

A Sue Dennis quilt from the Fiberlandia auction 06-28-15

Sue Dennis came from Australia for the Fiberlandia conference and I was glad for a chance to talk with  her.  I have one of her quilts in the Collection and admire her talent. 
For her leaf quilts she collects leaves on walks trough the Toohey Forest not far from where she lives.  She is attracted by the patterns of the insect eaten holes.   
 
"A Leaf" Sue Dennis - Brisbane, Australia  2015 8" x 6"
She uses Permaset Textile Ink which is used for screen printing, but it works well for her printing.  She uses Supercover white on the black fabric and then applies Misty Fuse to the black fabric, cuts around the margin and appliques with a zigzag machine stitch letting the zigzag fall into the background for a feathered look. 
 
She uses a zigzag stitch to free motion quilt around the background.  She calls this the "organic shuffle".  It is what I have heard referred to as "herky-jerky quilting" in the USA. 

The back fabric is an indigenous print and shows a simple but complete label.
 
Sue has a 12" square leaf quilt in the SAQA auction this fall.
 
 
 
 

Sunday, June 21, 2015

The Fiberlandia quilt by Laura Jaszkowski

This design by Laura Jaszkowski was used for the twelve little 3" square badges worn by volunteers who could answer questions about the conference or about Portland.  I represents Mt Hood, which I could see from my hotel room (and from our front porch when I was growing up in southeast Portland).  I have always been liked it best of all the Western mountains..  sort of "MY" mountain.  So, of course, I had to have this little quilt. 
 
"Fiberlandia"  Laura Jaszkowski - Eugene, OR   6" x 8"
Commercial cottons, snow hand dye by Mickey Lawler, cotton thread and batting. 
Fused raw edge applique, machine stitched and quilted.

DETAIL of mountain

No label, but all the quilts had a paper label on the back of the matting giving all the details.
I have also corresponded with each of the artists to gain a little more information about their quilts which I include when I post them on my blog.
Six more weeks of these small auction quilts.
#   #   #

Sunday, June 14, 2015

Heather Dubreuil quilt from Fiberlandia auction 06-14-15

This was the hottest item at the auction and, I think, brought the highest price.  Heather has a similar piece (12" x 12") in the SAQA auction this coming fall. 
 
"Connectivity: Fort Clyde"  Heather Dubreuil -  Hudson QC, Canada 6"W x 8"L
Cotton fabrics, 40-weight thread.
 
Heather explains, "[this quilt] is based on a photo I took last June when my husband and I drove from Portland Maine up the coast to Bar Harbor.  We decided to visit Mohegan Island because of its history as an art colony, and to get there we took the ferry from Port Clyde, a tiny fishing village.  On the same trip we spent a couple nights in Boothbay Harbor, and my photo from that town inspired my donation to the SAQA auction this year." 
 
Heather's method is to draw the lines on Heat-Away stabilizer, tracing the line on the film with a marker, and then stitch through it to guide the quilting.

The hot palette takes its cue from a glorious dawn.
 

There is no label - because the quilts were matted and a paper label was attached to the back.  www.heatherdubreuil.com
 
#   #   #


Monday, June 8, 2015

Another little quilt from the SAQA Fiberlandia auction 06-08-15

"Mimosa Blueprint"  Linda McLaughlin - Weiser, ID 8"W x 6"L
Blueprint made by artists, stitched with embroidery floss.
 
This is so delicate.   The embroidery stitches - stem stitch for the veins and seed stitch with single thread for the quilting - go through the batting, but then the quilt is backed with a solid fabric.

No label on this one - I will have to add one.
 
Linda tells me she has submitted a 12x12 quilt to the SAQA online auction that is printed from the same mimosa leaf, but on different colors. 
#   #   #

Sunday, May 31, 2015

Geri Patterson-Kutras quilt from Fiberlandia auction 05-31-15

I love this little quilt with the random houses and the lettering in the background.
 
"Roof Lines" Geri Patterson-Kutras - Morgan Hill, CA  8"W x 6"L
Cotton fabrics, fusing, machine applique/quilting. 
Commercial fabrics with small patterns and color variations to give depth and interest to the houses and background were Geri's fabrics of choice. 
Geri's statement: "Flying high above the tiny village, roof lines create a series of new silhouettes and forms.  I wonder if the residents of the village below know what an unexpected patchwork of form and color lay in the shingled gables of their dwellings.  Gazing out a window of the silver bird carrying me home, the landscape becomes a lasting souvenir my holiday."
This quilt is based on a photo Geri took in France while attending Patchwork Europe 2014.   

DETAIL

A label with  contact and signature.  Very nice.
#   #   #

Monday, May 25, 2015

Another auction quilt from SAQA Fiberlandia 05-24-15

Jill P. Hoddick was at the SAQA conference and kindly introduced herself.  I do like to meet the artists and there were a lot of them who identified themselves for a little talk.
She started this with a Rayna Gillman class in surface design which included silk screening.  Using masking tape she printed many times in multiple directions on her hand dyed fabric.  Jill is attracted to lines in her work.  
Choosing a section of the fabric she set in the yellow lines and added the special button.
 
 
"Point of Reference"  Jill P. Hoddick - Portland, OR  6"W x 8"L
Silk screened cotton fabric, machine pieced and quilted. button embellishment.

This is a 1930's button from Jill's collection.   Note that is sewn on with yellow thread.
Jill is attracted to lines in her work.  

Jill put a label showing her info and contact on the back of her piece, even though it was matted.  I appreciate that because I will not leave the quilts in the matting and all will need labels.
#   #   # 


Monday, May 18, 2015

Monday Browsing 05-18-15


Not just for machine quilters – reminders for all of us:
http://thequiltshow.com/daily-blog/142-newsletter/23441-three-things-machine-quilters-should-stop-doing?utm_source=Infusionsoft&utm_medium=email&utm_campaign=2015_05_13_Newsletter_2&inf_contact_key=965eb6e001226594e59af9adb7e087fa4c53d8589190b4cc8d9897037a667138

Makers Space at Fiberlandia.  This is about the hands-on “room” at the Studio Art Quilt Associates conference in Portland.  I attended and loved the one evening Makers Space.
https://www.youtube.com/watch?v=CvNtOzWmCYc

Tutorial on making quilt from photograph:
http://weallsew.com/2015/05/01/how-to-create-a-fabric-collage-art-quilt-from-a-photo/

A quilt show in Italy (with music)
http://www.veronatessile.it/en/portfolio/event-video/
 #   #   #

New Quilt from SAQA Fiberlandia auction 05-17-15

The silent auction at the SAQA Fiberlandia was great fun and I was there to "bid 'em up"; adding some treasures to TCQC.   I was the successful bidder for 12 quilts, although I bid on about 22 different pieces.   There was a wonderful selection of about 124 6"x8"quilts donated by SAQA members, whether or not they attended the conference.  At the banquet the little quilts, matted and propped on little easels were arrayed on tables along each side of the room with a nice long bidding sheet for each.  The bidding was fierce and the total income was over $14,000. 
 
"Fallen 1" Susan Szajer - Santa Fe, NM  6"W x 8"L
Cotton fabric hand painted by the artist, cut and snipped commercial cotton, free-motion machine quilted.
Is this fun, or what?  I think this is a wonderfully original way of working and some of her pieces are simply spectacular.

The feathers are made of painted cotton, they are cut to shape and applied by stitching down the center before the clipping is done.

Susan selects fabrics with dense weave, such as the commercial batiks, and sometimes uses two layers of fabric for the feathers to create the stiffness she wants.
  
Nice label giving a contact for her, in case the buyer wants to see more of her work.
#   #   #

Monday, May 4, 2015

At Studio Art Quilt Associates conference in Portland, OR 05-03-15

I haven't posted because I haven't been able to get online with my laptop late at night when I want to post.  Guess there were a lot of late night people (quilters?) staying at the hotel and they overloaded the system.  Others were having trouble also.  This is a long post with the pictures in the order I took them.
There is not a lot to take pictures of when at a conference. 
 
Mostly one sees the backs of heads - especially if one sits in the back of the room, which is what I prefer.  Lots of grey/white heads in view. 
 
Very few quilts were shown, mostly power point images.  This is Hsin-Chen Lin with one of the quilts she brought with her from her home in Taiwan.
 
 
Gabe Mackay is the son of one of the ladies in a small group I belong to.  Gabe lives in Portland and owns two restaurants; this is his Biwa, the newest one, located at NE 9th and Ankeny.  The food was quite delicious and beautifully presented.  
 
Asparagus with black sesame sauce (my favorite)
and in the background Beth's cocktail (she let me taste) made with grapefruit juice and vodka and some other unidentified flavors.
 
We also had pot stickers, chicken wings, sea trout on skewers and butterscotch + for dessert.
 
Oh, yes.  We each had a shooter.  Aren't the shells wonderful?
 
The restaurant is below street level and has all the fixtures and plumbing lines exposed.  Here are two noren made by Gabe's mom, covering some of the bareness.
We took a taxi from (and back to) the Double Tree Hotel.  (about $14 r/t) 
 
From the wall sized windows in the elevator lobby I can see many construction cranes.  They are lit up at night - this one is especially beautiful.
 
Here is today's dose of Mt. Hood.
 

On Saturday night there was a banquet at which a lively silent auction was held.  There were over 100 small quilts mounted in 8" x 10" matting frames - the exposed part of the quilt is 4.5" x 6.5" - slightly larger than a postcard.  I kept telling people that this was a FUND RAISER and to BID 'EM UP!  And I was as good as my word.  I went $270 over my preset spending limit and am taking an even dozen of these little jewels home.  I thought it was great fun and SAQA made more than $14,000!
.
          Heather Dubreuil - Hudson QC, Canada
 
           Terry Grant - Beaverton, OR
 
On Friday evening there was an "activity" called "Maker's Space" where "make and take" tables were set up with an artist in attendance at each teaching and helping use different materials and techniques.  I did two of the designated tables:



 
Laura Jaszkowski (Eugene, OR) was showing how to make quick little fused landscapes.
Unfinished, mine is 8"W x 10"L
 
Betty Busby (Albuquerque, NM) had a large plastic box of paint sticks that one could experiment with.  I was struck by the thought that they would make gorgeous clouds.  I have been thinking about cloud quilts for a long time - I think I'll try this at home. These are only 8"W x 4"L, but think of them as huge.
 


 
With every lecture or panel there is more than adequate coffee set up.  Always including one of these three part trays: chocolate curls, whipped cream, and cinnamon sticks.  And, of course, tea makings, cream, sugar, etc.

The chocolate curls fascinate me - they are almost as big around as a Bic pen and less than a quarter inch long.  I tried some in my coffee, but the coffee was not hot enough to melt the chocolate, so it just ended up in the bottom of the cup when the coffee was gone.  I wonder if they have a job description of "chocolate curler" or if the curls are actually extruded in a manufacturing process.   Inquiring minds and all that.

Beth Smith, Director of Visions Art Museum in San Diego, which specializes in quilts and textiles only, and Charlotte Bird who chairs the biennial exhibit called "Visions", gave a joint talk about the museum and the process of the biennial.  The first image up was of the entrance to the museum.  The artists had questions at the end, they would all like to have a quilt in the biennial.
 

This is a view from the elevator lobby in the daytime - Portland's West Hills and construction cranes.  

The only program that showed quilts was the talk by four artists from the Oregon chapter of SAQA.  But the quilts where hung before the speakers and taken down immediately after they were through, so there wasn't much chance to look at them, much less photography.
These gorgeous elephants are by Sheila Finzer (Terrebonne, OR). 
She told a funny story about how she was taking a shower in the outdoor shower at safari camp in SAfrican when the elephants came around.  Not to miss her chance she ran out, grabbed her camera and started shooting pictures.  What we will do for a good picture.



 


Lunch today in the sort of "quick snack" bar in the lobby of the hotel.  We had a good look at the surroundings because it took forever to get our meals. My turkey Panini was excellent and my lunch partner enjoyed her grilled salmon. 
 
  I found these fabric lamps interesting.  And they are unstiffened fabric - my lunch partner was tall enough to reach up for a feel.  There is other lighting to supplement what light these give out.
 
This afternoon I took a four hour class in Katoma Shibori from Ana Lisa Hedstrom, an artist whose work I first saw in the 1970s at Obiko in San Francisco - a wonderful  shop full of original art clothing and accessories  - long gone, of course. 
 
Ana Lisa was so well organized and worked easily with limited facilities.  We dyed in buckets fill with hot water in the bathrooms of our sleeping rooms. 
 
 
This form of Shibori is done using sewing machines to fold and pleat the fabric.  These six pieces are what I did in class.  The sewing machines were provided by a local merchant.
By-the-way, the trick to removing the threads after dyeing is to use a light weight rayon thread in the bobbin, it breaks so easily the stitching comes out in seconds.  If you enlarge the images you can see the little ends of peach colored thread I haven't removed. 
 
This "wonky plaid" was fun to do and has lots of variations.
 
We were to stitch an object and I chose a flower, but the dye didn't penetrate very well. 
 
This is continuous squares or boxes.
 
The two browns are different fabrics - silk noil on the left and cotton on the right.  The silk didn't take the dye very well.  Or maybe it was the way I stitched it.  Anyway, it was an interesting class though I doubt I will do it again.  But it is in my brain filing system, just in case I decide to use it in the future.
 
And here is the daily Mt. Hood.  It will be too hazy to see her in the morning when I drive north, but maybe next weekend when I am heading home - on I-5, of course.  It is always a special trip when I see all of the mountains along the route.  Mt. Baker, Mt Rainer, Mt. St. Helens, Mt. Hood, Mt. Shasta.  There are a few others in the row, but I rarely ever see them.
 
#   #   #