Showing posts with label San Jose Museum of Quilts and Textiles. Show all posts
Showing posts with label San Jose Museum of Quilts and Textiles. Show all posts

Friday, May 6, 2016

Friday Feet 05-06-16

I started doing Friday Feet in January 2011, not that I have done EVERY Friday since then.  When I started it was my feet, but that got old fast and, to be honest, wasn't very interesting.  Unlike the bloggers who show themselves doing yoga in fascinating places around the world. 
 
Among the early postings (01-13-11) were these tiles in front of the San Jose Museum of Quilts and Textiles in San Jose.  At that time I was just showing the toes of my shoes because the point of the pictures wasn't really my shoes, but what they were standing on.  Later I got into not only feet, but entire legs! 
 
A kind of loose Drunkard's Path.

Tumbling Blocks.

A pieced horse.
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Saturday, March 16, 2013

Keeping quilt/textile organizations alive 03-16-13

Here is a commentary from Luana Rubin of eQuilter that I copied from their e-mail ad today. I don't know that it settles anything in my mind about supporting SJCMoQandT, but it is food for thought. I was a contributor to the Tentmakers of Cairo film funding project and regularly support other textile and quilt organizations. I definitely don't have eighty grand to rescue SJCMoQandT, but I will make a donation and encourage others to do so. As Luana says, "..even $5 helps." Deciding which organization to help with the $5 is a hard decision. My involvement with Visions Art Museum: Contemporary Quilts and Textiles is well known and I encourage others to support this outstanding venue for the quilts being made today. www.visionsartmuseum.org They are holding their own, but it takes a lot of strategic planning and penny pinching. If you hold dear the place of quilts and quiltmaking in your life, give a little, or a lot, to help worthy organizations over this yawning funding gap.
Del Thomas, Placentia, CA
Thomas Contemporary Quilt Collection
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From eQuilter e-mail ad:
Lately I've been working with board members of various organizations, brainstorming how to raise funds so they can upgrade equipment, attract new members, and thrive without constant financial stress.

As I mentioned last week, I am working with
SAQA and Andover Fabrics on a fundraising design project.

I accepted an invitation a few months ago to sit on the development committee of the
Boulder Philharmonic, and it has been interesting to look at the fundraising topic from another angle.

Recently crowd-funding has been a popular and usually successful way to raise funds for projects, such as the recent (successful!) fundraiser for the
Tentmakers of Cairo documentary.

Yesterday Karey Bresenhan posted a very humble plea for support to raise $ on Indiegogo for the Texas Quilt Museum to buy a new projector system so they can host programs at the Museum. (see my blog for this post) A smart investment for TQM!

Just this morning I received a enewsletter from the
San Jose Museum of Quilts and Textiles, that they are in need of emergency funds. I hope they will get a crowd-funding page up soon so we can all pitch in whatever amount is possible!

I really respect and admire those who sit on these boards, and who try to figure out how the heck to raise money to keep these organizations afloat. Raising membership fees or ticket prices is not always the answer - if you lose members because of the higher fees, then you are right back in the same hole.
So I just wanted to salute those who are working so hard behind the scenes, (as volunteers mostly!) to keep all the museums, non-profits, quilt exhibits, conferences, and other events in the black - i.e. with balanced budgets. It is not only our lawmakers who struggle with this issue!

Our Wonderful World of Quilting is a microcosm, and our leaders are privately wrestling with the same budget issues that the politicians are wrestling with publicly in the Macrocosm.

If you have a moment to visit one of those crowd-funding pages, remember that even $5 helps, if 1000 people each give $5 or whatever they can afford. These organizations are incredibly rich sources of creative inspiration and technical design information for all of us, so your $5, $10, $50 or more will give you a rich return on your investment. I am going to go make a donation right now!

Tuesday night I will be writing to you from a textile show in Las Vegas.

sharing your Passion for Fabric...
Luana and Paul [Rubin - of eQuilter]
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And a picture as a reward (or punishment) for reading this far.  Del


"Four Dwellings" Del Thomas  2005  24“ Sq.   Machine pieced and quilted.  Cotton fabrics.
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Monday, November 19, 2012

Ellen Oppenheimer quilt in TCQC

This is the second of Ellen Oppenheimer's quilts in Thomas Contemporary Quilt Collection.  This one is from the online sale at San Jose Museum of Quilts and Textiles this month.  There are other works on their online shop until December 9th at:   http://www.sjquiltmuseum.org/gallery_highfiber_paypal2012.html  
Some works by well known artists and some by emerging artists - a couple Pamela Allen pieces are left.


"PW Block Study 1"  Ellen Oppenheimer - Oakland, CA  2004  15.5" square
This is a whole cloth quilt - silk screen printed. 
The only quilting is a machine stitched line from top to bottom and from side to side.  
The front and back have turned edges and are knife edge stitched. 
 
One quarter of the quilt shows the different colors printed using the same screens.
 
The back is also screened with the diagonal stripes done first and then overlayed with the pink Greek key design.  The velcro strip at the top will have to be removed since I don't use this hanging method. 
 
A handwritten label fused to the back.  Unfortunately no contact. 

I don't find a website for Ellen, but here are a few sites with info about her.
 http://www.artfulhome.com/artist/ellen-oppenheimer/971?refid=24771&gclid=CKy0i4_X2rMCFYl7QgodXB0ADw

http://www.creativeworkfund.org/modern/bios/ellen_oppenheimer.html

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Sunday, October 14, 2012

Elizabeth Barton quilt in TCQC 10-14-12

This small quilt was purchased at the San Jose Museum of Quilts & Textiles fundraising auction in 2010.   It is one of five of Elizabeth's quilts in the Collection and not even the smallest. 

 
"Village Street #1"  Elizabeth Barton - Athens, GA 2009  15.5"W x 13.25"L 
Hand dyed cotton shibori, rayon and cotton threads, cotton backing.
 
This detail shows the shibori dyeing and Elizabeth's machine quilting.
 
There is no label, instead she has hand stitched her name on the front...
 
...and also hand stitched the quilt title on the front.
 
The back shows the faced binding and the machine quilting. 
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Monday, April 2, 2012

Monday Browsing 04-02-12

Yesterday I drove up to San Jose Museum of Quilts and Textiles to see Quilt National '11 Parts A & B.  Visitors are asked to not take photos in the galleries, but there are also quilts hanging in the hallway and the meeting room.  So, I snapped a few.  The quilt below attracted my attention because I belong (or have belonged) to the Southern California Quilt Guilds.  I remember when this quilt was in progress and it brings back good memories to see it again. 

 
 

If you click on this image to enlarge, you will be able to read the identifications.  

I enjoyed see the Quilt National quilts, although some a too "far out" for me.  Pat Pauly's "Pink Leaf 2" is my favorite in this exhibit - I had no idea it is so large, 65"W x 77"L.  When I checked on the QN website to see where Part C might be exhibited I was surprised to discover....
10/21/12 - 2/12/13: Oceanside, CA--[Collection C] Oceanside Museum of Art, Oceanside, CA So, it will be there at the same time that the Visions Biennial "Brainstorms" will be at the Visions Art Museum in San Diego.  Mark your calendars and plan on seeing two great art quilt shows in one day.  Heaven!

There is a lot of current conversation about Pinterest - move to the bottom of the following page for several items about it.  http://www.websitesforquilters.com/

Most people don't want to think about death and dying, but at 74 it is time I sorted out some things.  Dr. Oz had a program about making arrangements and offered this site.
http://www.doctoroz.com/videos/living-will

Here is a good tutorial for people who don't understand what a Blog is.  http://www.serendipitypatchwork.com.au/Blog/GuidetoBlogging.pdf

http://www.creativelivingmedia.com.au/ Three online magazines from Australia/New Zealand

Last year the Association of Pacific West Quilters extended their "range" to cover all of the western states and provinces.  Their August QShow in Tacoma was great, but there were few quilts from California.  Check their website for information and entry form.  The DEADLINE for entries is April 20th.   I'd love to see some California quilts when I go to the show this year.
http://apwq.org/               http://apwq.org/quiltshow2012-entry.php


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Monday, July 4, 2011

Wendy Huhn quilt posted on Blog 07-03-11

The textile part of this piece is the round section surrounded by beads.  The square part is Masonite (or something like that), painted and with painted dots to match the background on the textile part.  I purchased this from the online auction of the San Jose Museum of Quilts and Textiles, so I had not seen it "in-the-fabric" before it arrived at my house.  I like this work very much, but I was disappointed that it is, in essence, "framed" so that it must have special storage and cannot easily be carried as part of the programs I do.  When buying online or from a catalog I sometimes forget to check every tiny aspect of the quilt and thus have ended up with about ten that must be boxed and are not easily transported. Oh, well!

"The Unanswered Question" - Wendy Huhn - Dexter, Oregon  2010  12" x 12"
Hand embroidery on cotton, plastic screen, glass beads, plastic sequins, painted wood base.
I enjoyed meeting Wendy at a Visions gathering and am impressed with her great techniques.  She uses all kinds of surface design and most of her pieces I have seen are done with paint, transfers, dyes, screens, discharging, stamping, and many other techniques.  I was not aware that this piece was hand embroidered until I received it.  The rings on the fabric are couched, the solid areas (tiger, stump, wooden horses, man) are split stitch with an outline of stem stitch.  Then there is the tiny seed stitching on the rabbits.   I said something to a friend about the crow made of screen and she didn't understand what I meant - she had not noticed the bird!  I don't know what any of the figures mean and Wendy doesn't care if I understand.  I like that about her designs - each viewer can interpret them in the context of their own imagination - their own experiences.   I like the imagery and don't care what any of individual "creatures" means. 
I assume this is her original framing technique, I've not seen it elsewhere, but then I don't usually buy framed works.  The keyhole slot to hang the piece on the wall doesn't work for me, so I have put in a looped cord with a large knot I stuffed into the keyhole.  I think this is not one of the quilts I sometimes hang backwards!


 
I'm glad this "Unanswered Question" is in the Collection, but it will not be traveling very much.  A shame, because the needlework is quite wonderful. 
I hope you will take the time to look at Wendy's website - it is very colorful and there is a large gallery of her work (clickable thumbnails).  Notice the dismembered lady on her porch!   
http://www.wendyhuhn.com/
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Friday, January 14, 2011

Friday Feet 01-13-11

This is where my feet were walking yesterday.  I don't know if these tiles were in the sidewalk before the San Jose Museum of Quilts and Textiles moved there.  They aren't all exactly quilt designs, but I suppose they all could be.  There are several museums on this street the quilt museum entrance is at the top left of the image. I had thought to take a picture of the doors, but construction is underway, creating a real mess at the entrance.

Drunkard's Path - it is hard to see at first because of the white chips in the background - something to watch for when one is constructing such a block in fabric.

Tumbling Blocks.  The colors are a bit brighter, but the fresh rain reflects the light and makes them lighter.

A horse with the head of a calf?  These grey chips make a better background than the white chips above..
You might notice that I usually wear the same style of shoes - maybe "Friday Feet" will inspired me to try some new styles.
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A Day in San Jose 01-13-11

Here is a post from the past that was never posted!  I have no idea why not.  I was just cleaning out some old stuff and came across this one that I wrote in 2011!!  I still like these particular quilts and am glad I can share them with you - even 8 1/2 years late!   Del
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Written 01-13-11
I am still trying to learn the "new" Blogger, so I have done this post three times and still am not able to post all the pictures I planned to.  Maybe I'll compose something more tomorrow. 

The trip t o San Jose Museum of Quilts & Textiles was an easy drive and the exhibit is just great.  I hope that some of you can squeeze it into your schedule before the end of January.  "Quilts from The Marbaum Collection" and "A Retrospective of Yvonne Porcella's Quilts" are both showing.  The Marbaum Collection was put together by Marvin Fletcher and the late Hilary Fletcher who directed the Quilt National exhibit for about twenty years - Marvin continues to preserve the collection and add to it.  I have these few images of quilts that were included in the Marbaum selections.

"Sink or Swim"  #21 & #23  Sue Benner 1994 QNational '95 (Approx 41"W x 60"L)
Silk fabric, dyes, paint, fusing, machine quilted.
Sue's silk quilts are so vibrant, as if the light were coming from the colors themselves.  The dangling threads across the bottom are trademarks of her work.


"Kuba Kosmos, Too"  Charlotte Patera  2006  QNational '07  (34"W x 35"L) 
Cotton, machine piecing, direct and reverse hand applique, machine quilting.
When I went to Ohio to the opening of QNational '07 I was disappointed that some quilts were already sold, before the opening!  Later I discovered that there is a special showing for collectors and important people in the art quilt world.  I coveted this quilt in the worst way - I am somewhat mollified that it is in the wonderful Marbaum Collection and will, hopefully, be shown in other venues.  It is a masterpiece.  

"Light Comes from Inside"  Beatrice Lanter 2004 (43" Square)
Cotton and silk, dyed, machine pieced, hand quilted.
Long an admirer of Beatrice's work, I hope someday to add one of her quilts to TCQC.  This quilt is composted of zillion tiny log cabin blocks  - 3/4" to about 2".  When seen in-the-fabric the light does come from the inside and almost pulses on the wall. 

 
"Dance #2"  Caryl Bryer Fallert 1995 (24"W x 17"L)
Cotton.  Hand-dyed, hand-painted, machine appliqued, embroidered and quilted.
I wish I could should you a detail photo of this one - it is on Caryl's website, but I don't know if you can enlarge it enough to see the thread painting that gives the vibrant color.  Caryl is always growing and developing and discovering, making her quilts into almost an overview of quilting at the end of the 20th and beginning of the 21st Centuries.  This was a study for a larger quilt and is quite astonishing for its small size.  



 
After spending two and a half hours at the museum we were hungry, so drove a few blocks over to a restored hotel to have lunch.  This was one of the streets I drove down.  The bright leaves still on the trees in the middle of January were striking.  I imagine the wind blew down the cross streets where the trees were leafless.   Notice the grey sky, just recovering from a downpour.
 
This is a view down the corridor that leads to El Fornaio at the Hotel Saint Claire in downtown San Jose - it is just a few blocks from the museum and if it had not been raining while we were admiring the quilts we would have walked.  This enchanting hotel was built in 1926 and has been restored to the elegance of that period.  The El Fornaio restaurant is located to the left of this image.  The corridor is deceivingly long - there is an enormous mirror at the far end.

 
Elegant service, good food, lovely decor and the price wasn't too much.  The bread is some of the best I have ever eaten. 

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Sunday, January 9, 2011

Family and a great quilt exhibit 01-08-11



I can't resist posting one more of those old pictures .  There I am front and center.  The lady is my mother Colleen and my curly-haired sister is standing in front of her.  I haven't a clue who the other children are.  There are two names written over their heads - Lee and Mary, not our family names.   I think Ellamarie and I are in our California dresses made by Aunt Vernice.


The Quilt Show posted images from the current exhibit of quilts from the Marbaum Collection of Hilary and Marvin Fletcher at the San Jose Museum of Quilts & Textiles. 
http://www.thequiltshow.com/os/blog.php/blog_id/3411
The exhibit ends Jan30th - go to see it if you can. 
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Monday, December 27, 2010

Sue Benner quilt in TCQC posted on Blog 12-26-10

Here is another quilt from the San Jose Museum of Quilts and Textiles November sale "High Fiber Under Five".

"Checks & Bars Jumble" Sue Benner 2009 11" x 11" Fused and machine quilted.

Sue is very inventive in her quilt making. I took a class from her at Empty Spools a number of years ago and she did challenge her students. It was an interesting week.

Interesting back - Marimekko fabric with title and signature in gold. One of Sue's signature techniques is leaving the tails on the threads she uses to overcast the edges of her quilts. Whenever I hang one of her quilts I fear that some helpful quilter will whip out scissors from her purse and trim off those dangling threads.
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Sunday, December 19, 2010

Elizabeth Barton quilt new to TCQC 12-19-10

Here is a quilt from the San Jose Museum of Quilts and Textiles recent "High Fiber Under Five" Benefit Art Sale. All of the pieces were priced $500 or less. I purchased three of the small quilted works - this is the first I have posted.
"Village Street #1" Elizabeth Barton 2009 15.5"W x 13.25"L
Hand dyed shibori fabrics, machine piecing, applique and quilting.
I am very fond of Elizabeth's work - there are five of her quilts in the TCQC. I think this piece is an "excerpt" from a larger quilt that didn't work. Elizabeth is fearless when she feels something is not what she wanted it to be. Out comes the rotary cutter and zip-zip, it becomes a different quilt, or several different quilts. OMG how I admire that ability in an artist. I especially like the colors in this quilt.
She always signs her work on the front with hand sewing.

And she usually hand stitches the name of the piece on the front.

Her machine quilting is very free motion and flows over the surface of the quilt like... well, like music. This quilt is a little gem that I am happy to have in the Collection.
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Sunday, February 28, 2010

Joan Schulze quilt 02-28-10

"Vest Pocket Tour II" Joan Schulze 2001 7.5"W x 7.5"L
This tiny quilt was offered at auction in 2003 and somehow I didn't even write down the price I paid - sticker shock, maybe. But at the San Jose Museum of Quilts and Textiles last week I didn't think the prices on her quilts were terribly high. Perhaps I have come to appreciate the cost of a terrific quilt made by an accomplished artist. This quilt is cotton, silk and paper and Velcro on the back to mount it. I don't have much space for mounted works, but this is so small it just goes in the (acid-free) box with the one-foot square quilts in the Collection. When I display it I prop it on a standing plate holder and have never hung it on the wall.
You can see Joan's work at her 40-year retrospective "Poetic License: The Art of Joan Schulze" continuing through May 9th at the San Jose Museum of Quilts and Textiles. I blogged a little bit about it last week when I was there at the opening http://delquilts.blogspot.com/2010/02/joan-schulze-40-year-retrospective-02.html
She also has a book out with the same title. And you can see her work on her websites:
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Monday, February 22, 2010

Joan Schulze 40-year Retrospective 02-22-10

I am not very satisfied with my new Canon camera. Most of the pictures I took on this trip were fuzzy and not the sharp, focused images I expected. Could it be a camera operator error? I will have to read further in the book to see if I can do better.
This is a fuzzy picture of Joan Schulze and her artistic granddaughter at the San Jose Museum of Quilts and Textiles. Yesterday I went to the opening event for this great exhibit of Joan's work over the last four decades. If you are anywhere near San Jose between now and May 9th, you should go and enjoy the results of her searching vision. There is also a small exhibit of Navajo rugs by a mother and daughter Begay - beautiful. The opening was well attended and Joan's PPoint presentation was fascinating to me - her first workspace was the laundry room of their home. Sound familiar to some of you? Now she has a studio in San Francisco with a wide view of the city. She enjoys experimenting with new and unusual materials and processes which make her quilts very different and surprising. I did pick up a price list and will think about a purchase when I go back in two weeks. Joan has two websites: http://www.joan-of-arts.com/ http://www.joan-schulze.com
It rained most of the hour it took to drive from San Juan Bautista to San Jose and, apparently, most of the time I was inside the museum. Still sprinkling periodically on the way home and throughout the night. This picture, taken on Hwy 156 just west of SJB, shows that the wild mustard is indeed starting to bloom and today I even saw half a dozen clumps of California poppies with a few early blossoms. I drove home today and will post some pictures tomorrow - it was a gorgeous day of blue sky; small white, fluffy clouds; bright green grass; miles of almond trees in bloom. And light traffic most of the way. Great trip.
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