Showing posts with label Charlotte Patera. Show all posts
Showing posts with label Charlotte Patera. Show all posts

Monday, February 20, 2023

Revisit a Charlotte Petera quilt in TCQC 02-19-23

 I do switch out the quilts on my walls, at least every three months and not all at the same time.  This is one that is on a regular rotation because it is so complex and yet subtle.  I believe that Charlotte has died, I wish there were other pieces of her work in the Collection. 


TCQC - Revisiting a Quilt by Charlotte Patera 03-25-18

This quilt "spoke to me" at Pacific International Quilt Festival in 2008.  I have been attracted to Charlotte's work since I purchased her book "The Applique Book" in 1974 and even more so after the 1984 publication of "Mola Making" which I read almost like a novel.  Great book!  She made this quilt in the tradition of the Kuna ladies using a motif from her everyday life, just as they did.  And it happens to also be something in my everyday life since I also do Jigzone puzzles and find the lizard cut one of the most challenging.  

"Lizard Lock"  Charlotte Patera - Grass Valley, CA  2008  29"W x 25.5"L
Cotton fabrics, hand appliqued and quilted.
I especially appreciate that Charlotte's used the ombre fabrics with the dark portion of the applique laid on the dark portion of the background - very subtle.  I'm sorry that the color in this image is not true to the quilt which doesn't have as much of a blue cast. 

This is the sign at PIQF that accompanied the quilt which was shown as part of the special exhibit "New Quilts of Northern California", an annual juried exhibit. 

Sunday, March 25, 2018

TCQC - Revisiting a Quilt by Charlotte Patera 03-25-18

This quilt "spoke to me" at Pacific International Quilt Festival in 2008.  I have been attracted to Charlotte's work since I purchased her book "The Applique Book" in 1974 and even more so after the 1984 publication of "Mola Making" which I read almost like a novel.  Great book!  She made this quilt in the tradition of the Kuna ladies using a motif from her everyday life, just as they did.  And it happens to also be something in my everyday life since I also do Jigzone puzzles and find the lizard cut one of the most challenging.  

"Lizard Lock"  Charlotte Patera - Grass Valley, CA  2008  29"W x 25.5"L
Cotton fabrics, hand appliqued and quilted.
I especially appreciate that Charlotte's used the ombre fabrics with the dark portion of the applique laid on the dark portion of the background - very subtle.  I'm sorry that the color in this image is not true to the quilt which doesn't have as much of a blue cast. 

This is the sign at PIQF that accompanied the quilt which was shown as part of the special exhibit "New Quilts of Northern California", an annual juried exhibit. 

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Sunday, November 3, 2013

Exhibit at Visions Art Museum 11-02-13

After spending the night at an HIE near Sea World (ate TWO cinnamon rolls for breakfast), I drove back to the museum for a few photos while things were quiet - as they usually are in the morning. 
I enjoyed giving a little tour to a few ladies who came in, but I was very disappointed that the Gallery Guides have not arrived from the printer.  What a let down when we worked so hard to make them exceptional.  Hope they arrive by the opening next Saturday. 
Here are three views of the gallery showing only nine of the 28 quilts on exhibit.



On the left is Terry Grant's "Judith's Garden:, in the background is "Lizard Lock" by Charlotte Patera, "Gravida" by Karen Rips and just the side of "Flowers Grow in Stony Places" by Karin Franzen.

 

Far left is Ruth B. McDowell's wonderfully expressive "Street Corner". then "Strip Tease #1" by Mary Leakey, and on the right "Structured Chaos #14" by Beth Carney.
 


Jenny Bowker made the quilt on the left "Hot Water, Dead Sea", "Red Wave" is by Dianne Firth, and Carol Ann Waugh made "Allegro" on the right.

These happen to all be somewhat subdued quilts, one of the comments I heard several times last night was how bright and cheerful the exhibit is.   But for some unknown reason I photographed mostly calm quilts today.  I rarely see so many TCQC quilts hanging together, I can only hang one large quilt in three of my rooms - too many windows and doors.  Arranged in the gallery I appreciate the interspersed "quiet" quilts, although I doubt many people would count "Red Wave" as calm.  But with the rhythmic repeat of the lines and the limited color palette, I find it is almost hypnotic..

Monday, June 20, 2011

Out to Dinner 06-20-11

I do love salmon and could eat it every day if it were available and not too expensive.  My favorite, and that of thousands, is Copper River Salmon from the cold clear waters of Alaska.  It is sooo verrry tasty grilled and adorned with a gentle squeeze of lemon (Meyer Lemon, of course).  
The Poodle Parents took me out to "The Original Fish Company" on Los Alamitos Blvd in Los Alamitos (which abuts Long Beach on the east).  Of course, I dove right in and most of my salmon was gone by the time I thought to take a picture, but Sherry had hardly touched hers, so I took a picture of her plate.  All three of us had the Copper River Salmon and I brought home Sherry's leftovers for lunch tomorrow - I can hardly wait!





Here is the URL for the Copper River Salmon organization.  Not a lot of info, but if you Google it you will find dozens of sites that talk about this delicacy.
http://www.copperriversalmon.org/

I made an error yesterday.  Charlotte Patera's quilt is both hand and machine quilted. 
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Charlotte Patera quilt in TCQC 06-19-11

This quilt "spoke to me" at Pacific International Quilt Festival in 2008.  I have been attracted to Charlotte's work since I purchased her book "The Applique Book" in 1974 and even more so after the 1984 publication of "Mola Making" which I read almost like a novel.  Great book!  She made this quilt in the tradition of the Kuna ladies using a motif from her everyday life, just as they did.  And it happens to also be something in my everyday life since I also do Jigzone puzzles and find the llizard cut one of the most challenging.   
"Lizard Lock"  Charlotte Patera - Grass Valley, CA  2008  29"W x 25.5"L
Cotton fabrics, hand appliqued and quilted.
I especially appreciate that Charlotte's used the ombre fabrics with the dark portion of the applique laid on the dark portion of the background - very subtle.  I'm sorry that the color in this image is not true to the quilt which doesn't have as much of a blue cast. 

 
This is the sign at PIQF that accompanied the quilt which was shown as part of the special exhibit "New Quilts of Northern California" (an annual juried exhibit).    
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Friday, January 14, 2011

A Day in San Jose 01-13-11

Here is a post from the past that was never posted!  I have no idea why not.  I was just cleaning out some old stuff and came across this one that I wrote in 2011!!  I still like these particular quilts and am glad I can share them with you - even 8 1/2 years late!   Del
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Written 01-13-11
I am still trying to learn the "new" Blogger, so I have done this post three times and still am not able to post all the pictures I planned to.  Maybe I'll compose something more tomorrow. 

The trip t o San Jose Museum of Quilts & Textiles was an easy drive and the exhibit is just great.  I hope that some of you can squeeze it into your schedule before the end of January.  "Quilts from The Marbaum Collection" and "A Retrospective of Yvonne Porcella's Quilts" are both showing.  The Marbaum Collection was put together by Marvin Fletcher and the late Hilary Fletcher who directed the Quilt National exhibit for about twenty years - Marvin continues to preserve the collection and add to it.  I have these few images of quilts that were included in the Marbaum selections.

"Sink or Swim"  #21 & #23  Sue Benner 1994 QNational '95 (Approx 41"W x 60"L)
Silk fabric, dyes, paint, fusing, machine quilted.
Sue's silk quilts are so vibrant, as if the light were coming from the colors themselves.  The dangling threads across the bottom are trademarks of her work.


"Kuba Kosmos, Too"  Charlotte Patera  2006  QNational '07  (34"W x 35"L) 
Cotton, machine piecing, direct and reverse hand applique, machine quilting.
When I went to Ohio to the opening of QNational '07 I was disappointed that some quilts were already sold, before the opening!  Later I discovered that there is a special showing for collectors and important people in the art quilt world.  I coveted this quilt in the worst way - I am somewhat mollified that it is in the wonderful Marbaum Collection and will, hopefully, be shown in other venues.  It is a masterpiece.  

"Light Comes from Inside"  Beatrice Lanter 2004 (43" Square)
Cotton and silk, dyed, machine pieced, hand quilted.
Long an admirer of Beatrice's work, I hope someday to add one of her quilts to TCQC.  This quilt is composted of zillion tiny log cabin blocks  - 3/4" to about 2".  When seen in-the-fabric the light does come from the inside and almost pulses on the wall. 

 
"Dance #2"  Caryl Bryer Fallert 1995 (24"W x 17"L)
Cotton.  Hand-dyed, hand-painted, machine appliqued, embroidered and quilted.
I wish I could should you a detail photo of this one - it is on Caryl's website, but I don't know if you can enlarge it enough to see the thread painting that gives the vibrant color.  Caryl is always growing and developing and discovering, making her quilts into almost an overview of quilting at the end of the 20th and beginning of the 21st Centuries.  This was a study for a larger quilt and is quite astonishing for its small size.  



 
After spending two and a half hours at the museum we were hungry, so drove a few blocks over to a restored hotel to have lunch.  This was one of the streets I drove down.  The bright leaves still on the trees in the middle of January were striking.  I imagine the wind blew down the cross streets where the trees were leafless.   Notice the grey sky, just recovering from a downpour.
 
This is a view down the corridor that leads to El Fornaio at the Hotel Saint Claire in downtown San Jose - it is just a few blocks from the museum and if it had not been raining while we were admiring the quilts we would have walked.  This enchanting hotel was built in 1926 and has been restored to the elegance of that period.  The El Fornaio restaurant is located to the left of this image.  The corridor is deceivingly long - there is an enormous mirror at the far end.

 
Elegant service, good food, lovely decor and the price wasn't too much.  The bread is some of the best I have ever eaten. 

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Sunday, November 22, 2009

Charlotte Patera quilt from TCQC 11-22-09

"P.U.D. - Private Unit Development" Charlotte Patera 1994 22"W x 25"L

Commercial Cotton Fabric, cotton batting, cotton thread, polyester thread. Hand applique, machine pieced, machine quilted. This quilt has an irregular border and is photographed on a light grey background.
One of the first small quilts I purchased, this one came from the East Bay Heritage Quilters silent auction, held at their semi-annual quilt show at the Oakland Convention Center.
Everything about this quilt appealed to me, even though I have never been a fan of pink. The interesting combination of coordinated fabrics, even though none of them come from the same manufacturer, the traditional house design appliqued (instead of pieced) in a very nontraditional color. I felt very fortunate to have the highest bid - and still do.
The quilting is done w/poly thread on the top and cotton in the bobbin, and it forms sort of icicles hanging from the sashing to the bottom of each block. Very subtle and effective.
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Friday, October 31, 2008

More PIQF 10-31-08

Three more wonderful quilts and why I like them! Tomorrow I will post the last of the PIQF quilts unless someone I asked on e-mail responds and says it is okay to post their quilt. Then I get back to my mundane life, but I will still post a quilt from TCQC each Sunday night.


I have always admired Charlotte Patera's work. She introduced reverse applique in the style of the San Blas Indians to the quilting world. She has had five books published, all are out of print. The two in my library are: "The Applique Book" was published in 1974 and "Mola Making" came out in 1984. One of Charlotte's quilts is touring with Quilt National. When I saw it at the Quilt National opening in May 2007 I had my checkbook out fast, but, alas, someone beat me to it. I still mourn.



This is the first picture I took at PIQF this year, it is a delight of color and I, also, am fond of Iris. The Iris are done with soft edge applique, giving them a textured surface that seems so right for this garden scene
You can see about twenty tiny thumbnails of her work at:
Terry Waldron had several quilts at PIQF this year. She lives and teaches in SCalifornia and is a member of guilds that I belong to. So, I have seen her work over the years and watched it get better and better.
I like the colors and think the balance is perfect. I didn't look close enough at the grass to see how she did it, but it is very effective, especially against the two textures of blue in the background.
From a distance the developed seed head could almost fool you into believing it is real.www.terrywaldron.com
You also might be interested in looking at the website of the group 12x12 which challenges its twelve members to create a 12" square quilt on a certain subject. Their first challenge was the dandelion.