Showing posts with label Charlotte Bird. Show all posts
Showing posts with label Charlotte Bird. Show all posts

Wednesday, December 16, 2020

Southern California Comtemporary Quilts Part 2 12-16-20

Charlotte Bird's multi-panel work is in the center of the large gallery.  It is fascinating and deserves extra time to look at all the details.  She covers the scenes of SCalifornia with great artistry.  18" high X 22" wide for each panel X a total length of 102"





I always admire the work of Kathleen McCabe and there are several of her quilts in TCQC.  This one is soooo California.  48"L X 32"wide

This detail of the flowers in the foreground shows her fine control of her quilting. 

See the people and the light poles out on the pier - just shadows. Color isn't very good in this photo, it is much  brighter. 

Nancy Lemke's quilt is another salute to the coast.  21"L X 32"W


Notice the crocheted doily representing a sea star and there are hand embroidered sea urchins scattered throughout.
And tiny white fish flowing across the tidepool. I like the borders only top and bottom, leaving the water to flow out on each side.  

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Monday, June 15, 2020

Another KoKo post 06-15-20

Blogger seems to be getting worse and worse.  They keep telling me to try the NEW Blogger because it will be in operation by the end of June.  But I can't figure out how to post on the NEW Blogger, so am still on the old.  Tonight it won't let me post any pictures. Turned it off.  Turned off laptop.  Restarted everything.  No luck.  I will try again.  

Tomorrow night, Tuesday, June 16th from 7pm to 8pm (Pacific Daylight Saving Time), Oceanside Museum of Art is featuring a tour of Charlotte Bird's studio in San Diego.  Charlotte has been creating for a lot of years and does many different techniques, including dyeing, painting, stitching, quilting, etc..  There are several of her pieces in the Thomas Contemporary Quilt Collection as well as in collections all over the country.  Check it out. 

12:10am..   Finally am able to post pictures after going off and on twice.  I really need the Geek Squad. . 

KoKo and Froggy are still the best of buddies.  Froggy is very durable and with his regular surgeries he keeps going... and going... ad going! 

This is the OTHER side of KoKo.  He is upside down in my lap (you can see my foot in the top left corner of the image).  Only his back is black, the rest is all tan, now with a little grey. 

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Sunday, May 19, 2019

Revisiting a quilt by Charlotte Bird 05-18-19

This quilt was exhibited at Visions Art Museum in 2005 and I added it to the Thomas Contemporary Quilt Collection.  The background is black, but the photography has faded it to grey.  The stones are fused.  The quilting is outstanding; the red lines extend from the top and one side of the quilt and meander around the stones to exit at the other side.  The change in value of the stones creates a three dimensional effect.  

"Porous Squre"  Charlotte Bird - San Diego, CA  2003  38"W x 37"L
Cotton fabric, batting, and thread.  Fused.  Machine quilted. 

Charlotte Bird with her quilt at Visions Art Museum 2005

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Sunday, June 24, 2018

Charlotte Bird quilt from 2004 06-24-18

There are several Charlotte Bird quilts in the Collection, but this was the first.  It was in a Visions exhibit in 2004.  I was hooked.  

Charlotte with her quilt Porous Square.  2004

"Porous Square"  Charlotte Bird - San Diego  2003    38“W x 37”L
Cotton fabric, thread, batting.
Fused, machine quilted. 

I have faded out this image so you can see how the red quilting goes from edge to edge, winding its way through the pebbles.  A wonderful thing to make a quilt that looks great from afar and yields up a surprise when viewed close up.  

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Friday, June 1, 2018

A special event for Beth Smith at Visions 06-01-18

Yesterday I drove down to San Diego to attend a special event in honor of Beth Smith who is retiring as director of Visions Art Museum.  There were about forty people, some who just stopped to say hello and went off again, and I saw many people that I don't see very often.  It was a very nice event and I took pictures, but tonight I will mostly post FOOD, which was impressive.  I will have to get some help with the names of some of the people - those I should remember, but as time goes by I think sometimes I am lucky to remember my own name, much less everyone else's.
The lady of the day - Beth Smith, Director of Visions Art Museum, retired. 

Charlotte Bird, artist and VAM supporter since the beginning. 

I can ID all of these ladies:  Andrea, Patti, Beth Smith, Charlotte, Debbie, Kathy. 

Delicious catered food and three desserts made by Lisa. 
(I ate the last piece of chocolate cake for dessert tonight - incredibly good)

The veggie rolls with pansies (which don't have a flavor!).

They were so beautiful it almost seemed a shame to eat them. 

But, of course, I did.  Along with some mozzarella, prosciutto, mushrooms, etc. 


Later in the evening there was the incredible Ultimate Crab Roll at Ikiru.  We try other things occasionally, but seem to always go back to this crab roll. 

When I have names for everyone in the pictures I will post them.  
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Sunday, October 8, 2017

Sharing a Charlotte Bird quilt from TCQC 10-08-17

 I purchased this small quilt from Charlotte when she had a quilt showing and sale at VAM in 2012.  This is the best I could do for the color, the background is more grey than this, but it looks great either way.   Lichens are all around us, but because they are small we don't notice them.  My house has a stone fireplace and there are lichen still growing on the stones.  When the humidity gets a little high for a length of time the lichens expand - my own little lichen garden indoors. 

 
"Lichen 2"  Charlotte Bird - San Diego, CA.  2012  15" square.
Cotton fabric & batting.  Fused, machine appliqued, machine quilted. Hand embroidered. 
 
 
Hand embroidered French knots scattered in a ring.
 
A nice deep sleeve set back from the edges so the ends of the slat will not be seen.
Nice computer generated label includes a website contact for the artist 
For other posts about Charlotte and her quilts click on her name on the right sidebar.
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Sunday, July 30, 2017

Re-posting Charlotte Bird quilt from 2013 07-30-17

There are several quilts made by Charlotte Bird of San Diego in TCQC.  I admire her work and always enjoy hear her talk about it.  She is involved in Visions Art Museum which specializes in quilts and textiles, so I see more of her work than I might of someone who lives on the East Coast or the Midwest.  The post below is from June 2013.
 
A few months ago I hung almost all the quilts in Thomas Contemporary Quilt Collection that depict birds.  There are an amazing number and every one is special to me.  I think there are more black birds (crows, ravens, larks) because they are so dramatic on just about any background.   One of the things that attracted me to this quilt by Charlotte Bird is the sort of pinstriped border and the irregular shape of that border.  The contrast between the blackness of the crows ravens and the screaming red branches they sit on also attracts my eye. 


"Conversation"  Charlotte Bird - San Diego, CA  2009  25"W x 13"L 
Cotton fabric, cotton thread, cotton batting. Beads for eyes.
Fused, machine edge stitched, machine quilted. 
 

I especially like the sort of roughness of the outline stitching and the definition of the wings and tail.  Crows Ravens always seem scruffy to me, even though they often appear sleek and shiny to other observers. 
 

Here is the back side of the bird on the right above.  No hiding the back with a liner - I can see every stitch and knot, which is just the way I like things to be. 
 

Each conversation "balloon" is stitched around with matching thread. 
 The irregular spiky horizontal line is a human heartbeat. 
 

If there were no sleeve or label I could hang it backwards to enjoy the quilting lines.
 

Sensible label with a contact for the artist.  

06-10-13  I asked Charlotte if she had any corrections or additions and she e-mailed this info:
"The birds are ravens...from a picture a friend took in Denali Park, Alaska.  The irregular spiky horizontal line is a human heartbeat.  I love ravens...smart, sassy and tricky.  They are often depicted in indigenous people's folk tales as tricksters and changelings. Charlotte"  
 
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Monday, May 4, 2015

At Studio Art Quilt Associates conference in Portland, OR 05-03-15

I haven't posted because I haven't been able to get online with my laptop late at night when I want to post.  Guess there were a lot of late night people (quilters?) staying at the hotel and they overloaded the system.  Others were having trouble also.  This is a long post with the pictures in the order I took them.
There is not a lot to take pictures of when at a conference. 
 
Mostly one sees the backs of heads - especially if one sits in the back of the room, which is what I prefer.  Lots of grey/white heads in view. 
 
Very few quilts were shown, mostly power point images.  This is Hsin-Chen Lin with one of the quilts she brought with her from her home in Taiwan.
 
 
Gabe Mackay is the son of one of the ladies in a small group I belong to.  Gabe lives in Portland and owns two restaurants; this is his Biwa, the newest one, located at NE 9th and Ankeny.  The food was quite delicious and beautifully presented.  
 
Asparagus with black sesame sauce (my favorite)
and in the background Beth's cocktail (she let me taste) made with grapefruit juice and vodka and some other unidentified flavors.
 
We also had pot stickers, chicken wings, sea trout on skewers and butterscotch + for dessert.
 
Oh, yes.  We each had a shooter.  Aren't the shells wonderful?
 
The restaurant is below street level and has all the fixtures and plumbing lines exposed.  Here are two noren made by Gabe's mom, covering some of the bareness.
We took a taxi from (and back to) the Double Tree Hotel.  (about $14 r/t) 
 
From the wall sized windows in the elevator lobby I can see many construction cranes.  They are lit up at night - this one is especially beautiful.
 
Here is today's dose of Mt. Hood.
 

On Saturday night there was a banquet at which a lively silent auction was held.  There were over 100 small quilts mounted in 8" x 10" matting frames - the exposed part of the quilt is 4.5" x 6.5" - slightly larger than a postcard.  I kept telling people that this was a FUND RAISER and to BID 'EM UP!  And I was as good as my word.  I went $270 over my preset spending limit and am taking an even dozen of these little jewels home.  I thought it was great fun and SAQA made more than $14,000!
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          Heather Dubreuil - Hudson QC, Canada
 
           Terry Grant - Beaverton, OR
 
On Friday evening there was an "activity" called "Maker's Space" where "make and take" tables were set up with an artist in attendance at each teaching and helping use different materials and techniques.  I did two of the designated tables:



 
Laura Jaszkowski (Eugene, OR) was showing how to make quick little fused landscapes.
Unfinished, mine is 8"W x 10"L
 
Betty Busby (Albuquerque, NM) had a large plastic box of paint sticks that one could experiment with.  I was struck by the thought that they would make gorgeous clouds.  I have been thinking about cloud quilts for a long time - I think I'll try this at home. These are only 8"W x 4"L, but think of them as huge.
 


 
With every lecture or panel there is more than adequate coffee set up.  Always including one of these three part trays: chocolate curls, whipped cream, and cinnamon sticks.  And, of course, tea makings, cream, sugar, etc.

The chocolate curls fascinate me - they are almost as big around as a Bic pen and less than a quarter inch long.  I tried some in my coffee, but the coffee was not hot enough to melt the chocolate, so it just ended up in the bottom of the cup when the coffee was gone.  I wonder if they have a job description of "chocolate curler" or if the curls are actually extruded in a manufacturing process.   Inquiring minds and all that.

Beth Smith, Director of Visions Art Museum in San Diego, which specializes in quilts and textiles only, and Charlotte Bird who chairs the biennial exhibit called "Visions", gave a joint talk about the museum and the process of the biennial.  The first image up was of the entrance to the museum.  The artists had questions at the end, they would all like to have a quilt in the biennial.
 

This is a view from the elevator lobby in the daytime - Portland's West Hills and construction cranes.  

The only program that showed quilts was the talk by four artists from the Oregon chapter of SAQA.  But the quilts where hung before the speakers and taken down immediately after they were through, so there wasn't much chance to look at them, much less photography.
These gorgeous elephants are by Sheila Finzer (Terrebonne, OR). 
She told a funny story about how she was taking a shower in the outdoor shower at safari camp in SAfrican when the elephants came around.  Not to miss her chance she ran out, grabbed her camera and started shooting pictures.  What we will do for a good picture.



 


Lunch today in the sort of "quick snack" bar in the lobby of the hotel.  We had a good look at the surroundings because it took forever to get our meals. My turkey Panini was excellent and my lunch partner enjoyed her grilled salmon. 
 
  I found these fabric lamps interesting.  And they are unstiffened fabric - my lunch partner was tall enough to reach up for a feel.  There is other lighting to supplement what light these give out.
 
This afternoon I took a four hour class in Katoma Shibori from Ana Lisa Hedstrom, an artist whose work I first saw in the 1970s at Obiko in San Francisco - a wonderful  shop full of original art clothing and accessories  - long gone, of course. 
 
Ana Lisa was so well organized and worked easily with limited facilities.  We dyed in buckets fill with hot water in the bathrooms of our sleeping rooms. 
 
 
This form of Shibori is done using sewing machines to fold and pleat the fabric.  These six pieces are what I did in class.  The sewing machines were provided by a local merchant.
By-the-way, the trick to removing the threads after dyeing is to use a light weight rayon thread in the bobbin, it breaks so easily the stitching comes out in seconds.  If you enlarge the images you can see the little ends of peach colored thread I haven't removed. 
 
This "wonky plaid" was fun to do and has lots of variations.
 
We were to stitch an object and I chose a flower, but the dye didn't penetrate very well. 
 
This is continuous squares or boxes.
 
The two browns are different fabrics - silk noil on the left and cotton on the right.  The silk didn't take the dye very well.  Or maybe it was the way I stitched it.  Anyway, it was an interesting class though I doubt I will do it again.  But it is in my brain filing system, just in case I decide to use it in the future.
 
And here is the daily Mt. Hood.  It will be too hazy to see her in the morning when I drive north, but maybe next weekend when I am heading home - on I-5, of course.  It is always a special trip when I see all of the mountains along the route.  Mt. Baker, Mt Rainer, Mt. St. Helens, Mt. Hood, Mt. Shasta.  There are a few others in the row, but I rarely ever see them.
 
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